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Translated by Annie Tucker
A New York Times Notable Book, 2015
The English-language debut of Indonesia’s rising star.
Compulsively readable, Beauty Is a Wound combines history, satire, family tragedy, legend, humour, and romance in an astonishing epic novel, in which the beautiful Indo prostitute Dewi Ayu and her four daughters are beset by every monstrosity.
Kurniawan’s gleefully grotesque hyperbole is a scathing critique of his young nation’s troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders, followed by three decades of Suharto’s despotic rule. Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit—and inspired by Melville and Gogol, Beauty Is a Wound is passionate and ironic, exuberant and confronting. Hailed as ‘the next Pramoedya’, Eka Kurniawan is an exciting new voice in contemporary literature.
Kurniawan chatted with Text’s Alice Lewinsky about inspirations, famous comparisons and the new age of Indonesian literature. Read the Q&A here.
Read a feature on Eka in the Sydney Morning Herald.
‘Without a doubt the most original, imaginatively profound, and elegant writer of fiction in Indonesia today: its brightest and most unexpected meteorite.’
‘A vivacious translation of a comic but emotionally powerful Indonesian novel.’
‘The howling masterpiece of 2015 must surely be Eka Kurniawan’s Beauty Is a Wound. It is — I mean it — a howl, an outrage, and a sheer burst of particular talent. It is the kind of thing you want fiction to do, and the kind of thing you want to imagine it is doing.’
‘So sorrowful, so savage, so freaking weird…Densely textured, complex in time scheme and epic in scope…The author’s intelligence breathes through the lines of the page, and he is equally capable of delicacy as decadence.’
‘Beauty Is a Wound, is an astonishing work of fiction, a crazy, dream-like tale of one woman who goes to remarkable lengths in order to survive.’
‘The first sentence of nearly every chapter in the episodic Beauty grabs the reader and yanks him into the action…whatever he chooses to write will be well worth reading.’
‘[A] sprawling, ambitious novel.’
‘An unforgettable, all-encompassing epic. Upon finishing the book, the reader will have the sense of encountering not just the history of Indonesia but its soul and spirit. This is an astounding, momentous book.’
‘Kurniawan’s story of an undead woman had morphed into the story of modern Indonesia, an epic novel critics are more wont to compare to One Hundred Years of Solitude and The Canterbury Tales.’
‘An epic picaresque that’s equal parts Canterbury Tales and Mahabharata—exuberantly excessive and captivating. Huge ambition, abundantly realized.’
‘As translated by Annie Tucker, Kurniawan’s prose is lucid and occasionally lyrical but never showy.’
‘Beauty Is a Wound draws on history, myth and Kurniawan’s considerable skill as a story teller to deliver an unforgettable tale…A compelling read.’
‘An original and thought-provoking read.’
‘Romps along with wilful disregard for the niceties of taste and decorum. Perhaps that’s only as it should be, as one comes to grips with aspects of Indonesian history that most often lie buried beneath a veneer of restraint and good manners.’
‘Vast and ambitious…[An] impressive work which paints an evocative and ghostly portrayal of mythical and historical times past.’
‘An epic fable, full of dark magic, hyperbole and gratuitous violence…Kurniawan’s blend of the horrible and the absurd is like nothing I’ve read before, and thrusts Indonesian literature into the spotlight in a powerful way.’
‘[A] huge book full of ghosts and violence and fun…It’s quite unlike anything I’ve ever read.’
‘A ghost-filled, vastly populated, and rollicking contemporary mythic tale, in the spirit of Márquez’s One Hundred Years of Solitude, but funnier.’
‘Beauty is a Wound is an epic of a kind that could only come from the pen of an Indonesian…Kurniawan’s creative ambition and scope are traditional in some senses, but his deeply strange work is profoundly original.’
‘Exuberant, funny, crackling with energy and invention.’
‘Magical realism to rival that of Gabriel García Márquez or Salman Rushdie.’
‘This big, baggy novel has everything, from ghosts and reincarnations to vengeful spirits, but it also features a very strong woman utterly different to the stereotypical demure women so often portrayed as representatives of Indonesia’