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After a year apart, Maryanne returns to her husband, Roy, bringing their eight-year-old son Daniel and his teenage sister Freya with her. The family move from Sydney to Newcastle, where Roy has bought a derelict house on the coast.As Roy painstakingly patches the holes in the floorboards and plasters over cracks in the walls, Maryanne believes, for a while, that they can rebuild a life together.
But Freya doesn’t want a fresh start—she just wants out—and Daniel drifts around the sprawling, run-down house in a dream, infuriating his father, who soon forgets the promises he has made.
Some cracks can never be smoothed over, and tension grows between Roy and Maryanne until their uneasy peace is ruptured—with devastating consequences.
‘Michael Sala is a sensitive, perceptive observer of human relationships and I have long admired his work. The Restorer is a beautifully written novel about growing up, starting again—and how the riptide of personal history can pull us further and further from safety, no matter how hard we fight.’
‘There is so much to praise about this book. Michael Sala’s prose is clear and unadorned, the setting exquisitely rendered, but it is the characters - Freya, Maryanne, Roy and Daniel - all of them flawed and complex and deeply, deeply human, who will stay with me for a very long time. I would defy anyone to read their story and remain unmoved. The Restorer is an incredibly powerful novel and, I believe, an important one.’
‘A wise and timely novel that builds and breaks like a summer storm—just as beautiful, just as brutal.’
‘Michael Sala has a rare gift: in prose that takes your breath away, he tells a story of heart-rending sorrow without a trace of sentimentality.’
‘A confronting and compelling story of a family. Sala captures perfectly the puzzled silence of the uncomprehending child in a narrative swollen with unspoken secrets.’
‘The “threads” are often exquisite.’
‘A gutsy, moving, beautifully wrought and utterly compelling work.’
‘Leaves a potent sense of blood and bone humanity.’
‘Recommended for readers of literary fiction who appreciate exploring the darker realities of Australian life now and in our not-so-distant past.’