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Portrait of the artist as a young gamer.
Gamelife is part memoir of childhood in the eighties, part meditation on the imaginative world of computer games—and altogether wonderful, luminous and profound. Michael Clune’s first computer game is the text-based adventure ‘Suspended’ in which the player types commands, directing robots to save the planet from destruction. The game raises deep questions for the boy and provides a framework for his imagination about himself and the world. Seven primitive PC games take on an almost religious significance in Michael’s life.
Gamelife is one of those books that makes you see things differently, a brilliant memoir of a kid discovering his own mental powers, and the magic of an electronic world he can escape into while riding the shockwaves of his parents’ divorce, his own adolescence and his apprenticeship in the world of perception.
‘Before starting Gamelife I had zero interest in computer games and, at best, limited interest in male adolescence. But now I’m very interested in Michael W. Clune. I loved this book.’
‘An idiosyncratic but universal exploration of how we teach ourselves to dream, Gamelife charts the interstices between imagination and loneliness in a tender, sad, and funny paean to childhood, all framed around a lost era in video gaming.’
‘Gamelife is a spectacular accomplishment. It’s written in a kind of yearning voice that defies easy classification as simple nostalgia.’
‘I steal language and ideas from Michael W. Clune.’
‘I highly enjoyed Gamelife—a beautiful, delightful, surreal, moving, intellectually shocking, vivid, and thrilling book about numbers and death, magic and despair, dimensions and middle school.’
‘Along with his spot-on re-creations of childhood and adolescent conversations, Clune’s wry observations about growing up in the 1970s and 1980s amid the burgeoning microcomputer revolution make his gamer memoir a standout.’
‘[Gamelife] is an extremely well-written retrospective…[Clune] succeeds in not only sharing poignant memories but also confronting the rose-tinted glasses we tend to wear when discussing the past.’
‘Clune never treats games as an escape but rather an entry into a heightened reality, an education, a creative stimulus, and a portal for self-discovery…[a] provocative book.’
‘An engaging and enjoyable read…A clear thinker and a skilled writer, Clune has thought deeply about why we play games, and he has come up with some worthy answers.’
‘[Gamelife is] the history of an intellectual awakening told through the medium of video games, which Clune writes about with frequently arresting eloquence and power.’