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translated by Wen Huang
The Corpse Walker is a collection of twenty-seven extraordinary interviews that opens a window, unlike any other, onto the lives of ordinary, often outcast, Chinese men and women.
Liao Yiwu reconstructs conversations he had between 1990 and 2008 with a range of remarkable people: a professional mourner, a human trafficker, a leper, an abbot, a retired government official, a former landowner, a mortician, a feng shui master, a former Red Guard, a political prisoner, a village teacher, a blind street musician, a Falun Gong practitioner and a corpse walker. The result is an idiosyncratic, powerful and dignified portrait of a people, a time and a place we might otherwise have never known.
Liao Yiwu was invited to the Sydney Writers’ Festival, 2011, but was not permitted to leave China. Below is his letter to the festival organisers:
To: Mr. Chip Rolley, Sydney Writers’ Festival,
To: Mr. Michael Heyward, Text Publishing
To: My fellow participating writers:
Thank you for your invitation. It seems that I will never be able to reach Australia. It is truly regrettable. Over the past fifteen years, I have applied for an exit permit seventeen times, with one success and sixteen failures.
In the early summer of 2009, at the invitation of a group of Chinese exiles in Melbourne, I attempted to reach Australia through a small border town in southwest China, only to be intercepted and detained by border police.
I am fifty-three years old, not a young person anymore. However, when I was first banned from leaving China, I was quite young. Life has mercilessly slipped away. My life would have been wasted had it not been for my writings, which have given testimony to my existence. At the same time, my writings also bear witness to the existence of a different China, a China inhabited by people living on the bottom rung of society. I have written hundreds of stories about a colourful group of residents in this China. Twenty-seven of these stories are published in THE CORPSE WALKER. They include: a migrant worker, a monk, a Rightist, a fortune teller, a blind musician, a peasant emperor, a dissident, and a victim of the 1989 student pro-democracy movement. My fate has been submerged in theirs.
The China I have described has been in existence since ancient times, outlasting any dynasties or political regimes. However, in this booming economic era, the Communist Party has banned any stories about this China, in the same way they have banned my overseas travel.
The heart cannot be imprisoned. The heart will break through layers and layers of barriers, flying higher and higher in the sky. Therefore, at the opening of the Sydney Writers’ Festival, my heart, eager as it is, has crossed the ocean and landed in Australia to mingle with writers from around the world.
I know you have arranged a wonderful journey for me. According to the itinerary, I am supposed to be on a panel discussion called ‘Good Day, China’. Is the China discussed here the same China in which I reside? If it is, please allow my heart to shout loudly, under the bright sunny Australian sky, ‘Good Day to the bottom rung of China’.
May 14, 2011, Chengdu, China
Read the New York Review of Books interview.
Watch an ABC news report about Liao Yiwu’s visit to Australia.
‘Life stories from China’s seething underworld of the excluded, every one of them unforgettable, every one of them somehow giving cause for hope.’
‘Liao’s research took 11 years, and his final product is a stunning series of portraits of a generation and class of individuals ignored in history books and unacknowledged in the accounts of the new China.’
‘Reading The Corpse Walker is like walking with Liao: Even though our feet are not blistered and our bodies are not starved, in the end we are shaken and moved.’
‘Revealing…full of forbearance and forgiveness…Each re-created interview…captures a particular individual at a crucial time in Chinese history.’
‘The stories expose China’s historical and contemporary brutality towards its non-conforming populace and also provide an enlightening and absolutely fascinating expose of the ordinary Chinese at the fringes of Chinese society. Some stories were so interesting I have gone back and re-read them, the story that gives the book its title especially so.’
‘The Corpse Walker brings to life so many bizarre professions and practices that it reads like fiction. It is the only book I’ve read in recent years that keeps me reading late into the night. I have given away more copies of this than there are courses at a yum cha restaurant.’