A Good Winter

‘This tense and menacing thriller lives up to the hype…Fenster neatly and skilfully twists [the plot] away from easy predictability: precise language and short, sharp, prickling sentences ratchet the tension as high as it can go…The savagery—and brilliance—of A Good Winter is how the inevitable still feels like a shock.’

NZ Listener

'Fenster creates a chilling character in Olga. She will set up camp and loiter in your mind for days to come...A Good Winter has made me want to upgrade my health fund to include therapy after this wild ride.’

Good Reading

‘Well-paced and beautifully written.’

Canberra Times

‘Confident, suspenseful and ultimately extremely satisfying.’

North & South

'A Good Winter is a character study, a deep dive into a particular, warped perspective and an exploration of some of the drivers of that perspective. It is not comfortable, but it is also hard to look away.’

Pile by the Bed

‘A gripping portrait of obsession and jealousy.’

Listener (Best books of 2021)

'A Good Winter arrived in the post. During the afternoon, I gave it a bit of a look-through. At 3:30am I was reading the final pages...A Good Winter draws us into a disturbed and damaged mind and carries us relentlessly through the seasons.’

Paddy Richardson, Newsroom

'This is a story of an unsettled mind, of tragedy and abandon, one which is riveting and thrilling, one which doesn’t shy from a building sense of alarm while also gently taking us along, allowing us glimpses into Olga’s past, her desires and sadness. The pace is pitch-perfect, the language, with its cleverly constructed conversations and staccato memory snippets, successfully reflects a troubled mind.’

Volume NZ

‘A short, powerful portrait of a mind on the edge.’

Canvas (NZ Herald)

'That Fenster never slackens the pace or signposts exactly who will pay the price for her narrator’s deranged thinking is a credit to the author’s hold on the storyline and an indication of her unflagging allegiance to the manipulative, delusional and utterly awful nature of her main character...Fenster builds a knife-edge tension that is as compulsive as it is alarming.’

Sally Blundell, Landfall Review