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Spent Light

Introduction by Teju Cole

In this startling hybrid book – fiction, memoir, history, essay – Lara Pawson makes us see the world with fresh eyes – and not look away.

An unnamed woman contemplates the toaster she’s inherited from a neighbour. A homely object, hardly worthy of a sonnet or still-life. And yet, thinking of where its parts originated, who assembled it, and how it arrived at her door, could it not be considered as a source of awe? Likewise the washing machine leads her to a cat culling, the pepper grinder to a hand grenade.

There is nothing else in contemporary writing quite like this quest to think through the common objects that make up a comfortable life. Pawson makes us see in them all the parameters of history, slavery, genocide, as well as the joy of work, care, physical pleasure – until we realise that this extraordinary book is also a love story.

Our female narrator’s unrelenting focus on the details of domestic living spirals into moments of dark humour. Staring at the words REHEAT DEFROST CANCEL on the toaster, she sees ‘a synopsis of the anthropocene’. Pawson’s courageous thought associations allow us to apprehend the darkness and light in our shared humanity.

This brilliant and savage book should become cult reading. Spent Light is a masterly anatomy of our moment in time.

Lara Pawson
About the Author

Lara Pawson’s first book In the Name of the People: Angola’s Forgotten Massacre, was a runner-up for the Royal Africa Society Book of the Year 2015, longlisted for The Orwell Prize 2015, and shortlisted for both the Bread & Roses Award for Radical Publishing 2015 and the Political Book Awards Debut Political Book of the Year 2015. Her...

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Extent:
160pp
Format:
Paperback
Text publication date:
29 September 2026
ISBN:
9781923670112
AU Price:
$34.99
NZ Price:
$40.00
Categories:
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Praise for Lara Pawson
andSpent Light

‘Intense, with incredible writing, but it is only 144 pages long. It’s like walking through a furnace for ten minutes. It’s great.’

‘Pawson’s writing is brilliant, unnerving and shockingly alive.’

‘Lara Pawson’s merciless and exquisite prose adorns everyday objects with the violence of history – the savage comedy by which living creatures have become broken, petrified things.’

‘A narrative that presents as fragmentary, bordering on stream-of-consciousness, coheres into something deeply affecting – the accumulation of moments of pain, beauty, and epiphany refracted through quotidian things: a timer, a toilet, a toaster, a squirrel, a toenail…Stark, shocking imagery is tempered by the gentle sense of love that pervades the narrative.‘