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Published 25 September 2013
ISBN 9781921922909
Format Trade Paperback
Extent 256pp
AU Price $29.99
NZ Price $37.00

Goat Mountain



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Three generations of men hunt for deer on Goat Mountain. One hot autumn day, grandfather, son and grandson discover a poacher on their land. The eleven-year-old studies the poacher through the scope of his father's rifle—and pulls the trigger.
Goat Mountain is an intensely powerful novel about how these men, and their boy, deal with the poacher's death, and with his body. In prose devastating and beautiful in its precision, David Vann explores our most primal urges, the ties that bind us, and the consequences of our actions—what we owe for what we've done.
In the tradition of Cormac McCarthy, this is a dark, brutal but magnificent book, the best Vann has written.

Published 25 September 2013
ISBN 9781921922909
Format Trade Paperback
Extent 256pp
AU Price $29.99
NZ Price $37.00

About the author

David Vann

David Vann was born in Alaska and comes from a family of sinkers. His father sank a new cabin cruiser in Alaska, right in the marina, by forgetting to put in the drain plug when he launched. Vann's grandfather sank an old converted Navy cruiser on a lake in California. His uncle sank the same boat twice in Idaho. Vann himself sank in the Caribbean on his honeymoon, as chronicled in his best-selling memoir, A Mile Down: The True Story of a Disastrous Career at Sea. Every family has to be good at something, and Vann is hard at work continuing the tradition. Last year, he built a 52-foot aluminum trimaran for a nonstop solo circumnavigation for Esquire magazine and had to turn back because the boat was about to fold in half. He's also had run-ins with pirates in Mexico, which he wrote about for Outside magazine, and he's sailed by land from Florida to California for Men's Journal on a 'Blokart,' a tricycle with a sail (made in New Zealand, where Vann has residency). He also loves to sail the Mediterranean, and once lost a rudder off Morocco. In Legend of a Suicide, though, Vann turns to fiction to write about the defining disaster of his life, the suicide of his father when Vann was 13. The book is the winner of the Grace Paley Prize and was named a Notable Book of 2008 by the New York Times, San Francisco Chronicle, Kansas City Star, and the Story Prize. Vann has worked on documentaries in 2009 with the BBC, NOVA, and CNN, and he's been a National Endowment for the Arts Fellow and a Wallace Stegner Fellow, taught at Stanford and Cornell, where he received his degrees, and is currently a professor at the University of San Francisco.

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Praise for Goat Mountain

'Dirt is unputdownable, thundering at breathtaking speed towards the shocking climactic act. Brilliantly chilling.' Evening Standard

PRH, PRH

'Vann's gift – his quest, almost – is a willingness to explore the unimaginable, the unthinkable, onthe page. He is the real thing – a mature, risk-taking and fantastically adept fiction writer whodares go to the darkest places, explore their most appalling corners. I haven't read a novel asrough and shocking or, importantly, as wise and warm as this one in a long time. It's not safe andit doesn't seek our approval – and I've certainly no idea what Vann wants us to think or feelabout it. But isn't that a plausible definition of truly great writing: a piece of work that leaves ourheads and hearts in flux – rolling, churning and, if we're lucky, changing?' Observer

PRH, PRH

'The last hundred pages of Dirt are as audacious and uncompromising a piece of writing as I've read in a long time. Vann is a brave writer, daring to write about and depict things that most other authors would baulk at, but that's what makes him so good – that unflinching eye for the darkness you could potentially find in any of us, given the wrong chain of events. If you want to feel good about the human condition, go elsewhere. If you want the naked, awful truth, then dive in.' Independent

PRH, PRH

'What Vann does so well is to take recognisably ordinary characters and put them in critical situations, where tiny decisions or actions have life-altering outcomes. This is what gives his books their nightmarish quality -- the feeling that these events could happen to anyone.' Irish Independent

PRH, PRH

'David Vann's Dirt will not be to everyone's taste – a family horror story that grabs you by the throat and keeps hold till the very last page. But it's the kind of novel you surface from with a real sense of excitement about what fiction can do – and it reaffirms Vann as one of the most darkly talented and unsettling writers working today.' Guardian Books of the Year

PRH, PRH

'By far the most intense experience I had as a reader this year was with David Vann's Dirt. Words and ideas seem almost dangerous in his hands and yet his work is full of heart. For me that's probably the definition of perfection in fiction.' New Statesman Books of the Year

PRH, PRH

'With the 2008 publication of Legend of a Suicide, David Vann established himself as one of the most exciting young American novelists at work...There and in his novel Caribou Island, published last year, Vann has proved himself a writer with an unflinching gaze...In Dirt, Vann once again combines a brooding narrative intensity with highly stylised prose. As in his earlier work, Dirt exhibits a raw quality that often causes the reader to squirm. Vann lets his prose appear intentionally unvarnished, sometimes unfinished. Doing so gives this novel an immediacy that propels the reader into the troubled and claustrophobic mind of his 22-year-old protaganist, Galen.' Listener

PRH, PRH

'David Vann stunned the world with his debut novel, Legend of a Suicide. His second, Caribou Island, was equally impressive. Dirt, his third major novel, will not disappoint. He is now a major new voice in American fiction. The same trademark features are on vivid display here. The brooding intensity, the convincing, metaphorical use of landscape, the cumulative effect of detail and the apparent ordinariness of the characters all combine to inject real power into this dark and offbeat tale. To Vann, hell is not other people, but your own family. As in Caribou Island, family members barely control their anger, frustration and jealousy until they explode with awesome firepower. In Dirt, the explosion, when it comes, is devastating and utterly unexpected...After a long and deliberate buildup, tension is suddenly ratcheted up to full. The last 100 pages are breathtaking...Dirt cements Vann's place as a key American talent.' Sunday Star Times

PRH, PRH